{"title":"Objects","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSilver, ceramics, brass, and bronze — things made to be handled, displayed, and kept. Each piece is one of a kind, sourced from estate sales and the places beautiful objects end up when people stop looking.\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"ben-owen-seagrove-pottery-vase-signed-north-carolina-studio-pottery","title":"Ben Owen Seagrove Pottery Vase - Signed North Carolina Studio Pottery","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFound at an Atlanta estate sale, this signed Ben Owen vase carries the weight of North Carolina's legendary pottery tradition. Seagrove has been the heart of American studio pottery since the 18th century, and the Owen family has been at its center for generations.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThat olive-celadon glaze isn't something you can order from a catalog—it's the result of decades of kiln mastery and an understanding of clay chemistry that only comes from making thousands of pieces. The classic ovoid form is timeless, equally at home on a mid-century credenza or a contemporary shelf.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis is the kind of piece serious collectors hunt estate sales for. The kind museum gift shops wish they could stock. The kind that makes your space feel collected, not decorated.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eOrigin: \u003c\/span\u003e\u003cspan\u003eSeagrove, North Carolina\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eMaker: \u003c\/span\u003e\u003cspan\u003eBen Owen (signed on base: \"Seagrove Pottery - Ben Owen\")\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eEra:\u003c\/span\u003e\u003cspan\u003e Mid-20th century\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eGlaze:\u003c\/span\u003e\u003cspan\u003e Olive-celadon with characteristic variations\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"product__description rte quick-add-hidden\"\u003e\n\u003cp\u003eCondition: Pristine vintage condition. No chips or cracks. Characteristic glaze variations add depth and interest.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDimensions:\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eHeight: ~9.25\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eWidth: ~6\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eCircumference: ~18.25\"\u003c\/span\u003e\u003c\/p\u003e","brand":"Atlas \u0026 Arden ","offers":[{"title":"Default Title","offer_id":47613055434996,"sku":null,"price":495.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/6321\/6372\/files\/atlas-arden-ben-owen-seagrove-pottery-vase-olive-celadon_82cd83ab-5116-409e-b723-d3d5b069689f.jpg?v=1777159630"},{"product_id":"mid-century-porcelain-sardine-box-white-ribbed-ceramic-with-gold-trim","title":"Mid-Century Austrian Porcelain Sardine Box - White Ribbed Ceramic with Gold Trim","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Austrians have been making sardine boxes like this since the 1800s, but this mid-century version brings a cleaner, more sculptural sensibility to the tradition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWhite ribbed porcelain with delicate gold trim and that perfect anchovy-shaped handle. It's quirky without being kitsch, elegant without being stuffy. Use it as intended (for serving sardines or tinned fish at cocktail hour), or let it live on your desk holding paper clips and secrets.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe kind of object that makes people ask \"where did you get that?\" \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eOrigin:\u003c\/span\u003e\u003cspan\u003e Likely Austrian, \u003cmeta charset=\"utf-8\"\u003eEra: Mid-20th century\u003cbr\u003eMaterial: Porcelain with gold trim and painted fish handle\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eCondition: Excellent vintage condition. Some gold wear on the base (standard for age and use). Otherwise pristine.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDimensions:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003e5\" × 4.5\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Atlas \u0026 Arden ","offers":[{"title":"Default Title","offer_id":47613154394356,"sku":null,"price":225.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/6321\/6372\/files\/atlas-arden-white-porcelain-sardine-box-gold-trim-fish-handle-a1b2c3.jpg?v=1777159294"},{"product_id":"19th-century-tramp-art-box-chip-carved-with-original-key-and-removable-tray","title":"19th-Century Tramp Art Box — Chip-Carved with Original Key and Removable Tray","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eEvery cut on this box was made by hand with a pocketknife.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTramp art emerged in 19th-century America as a folk tradition where itinerant craftsmen carved layered, geometric patterns from salvaged wood — usually old cigar boxes and shipping crates. No plans. No power tools. Just repetitive chip-carving that turns flat wood into something that looks almost architectural. The pyramidal studs and stepped lid on this piece give it the presence of a small building, which is exactly the point.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eFound at Material Matters in New York, this is an exceptional example of the form — large enough to be a gentleman's desk box, a library catchall, or the centerpiece of a collected shelf. The interior is beautifully fitted with divided compartments and a removable tray, suggesting this wasn't made as a novelty. It was made to be used.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe original key is present and the lock still turns. Brass hinges are intact and functional. The warm, darkened patina of the wood tells you everything about how long this box has existed and how well it was kept.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThis is folk art with a backbone. The kind of object that anchors a room.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eOrigin:\u003c\/strong\u003e American \u003cstrong\u003eEra:\u003c\/strong\u003e 19th century \u003cstrong\u003eTechnique:\u003c\/strong\u003e Chip-carved tramp art, layered geometric pattern \u003cstrong\u003eMaterial:\u003c\/strong\u003e Carved wood with brass hinges and lock \u003cstrong\u003eIncludes:\u003c\/strong\u003e Original key, removable interior tray with compartments\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Excellent vintage condition. Chip carving fully intact with rich, even patina. All brass hardware original and functional. Lock works with original key. Interior compartments and removable tray in very good condition. Minor wear at edges consistent with 19th-century age.\u003c\/p\u003e","brand":"Atlas \u0026 Arden ","offers":[{"title":"Default Title","offer_id":47782973374708,"sku":null,"price":1450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/6321\/6372\/files\/atlas-arden-tramp-art-box-wood-carved-key-tray-a1b2c3d4_743f0b35-88aa-420a-8437-0f4301119ca2.jpg?v=1777160230"},{"product_id":"beehive-silver-plated-tea-service-three-piece-set-with-ribbed-pattern-and-bakelite-finials","title":"Beehive Silver-Plated Tea Service — Three-Piece Set with Ribbed Pattern and Bakelite Finials","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eSomeone designed this set to make you stop and look. It still works.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eA three-piece tea service — teapot, lidded sugar, and creamer — in a striking beehive form. Horizontal ribbing wraps every surface, catching light in concentric bands that shift depending on the angle. The black Bakelite handle and acorn-shaped finials on the teapot and sugar provide the contrast that pulls the whole design together.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe form is mid-century at its most confident: functional objects elevated to sculptural ones without a single unnecessary detail. No monograms, no fussy engraving, no ornamentation beyond the ribbing itself. The shape does all the work.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eOrigin: Sourced at a flea market in Atlanta, this set is unmarked but consistent with European silver-plated hollowware of the mid-20th century. All three pieces are in pristine condition — no dents, no plate wear, no tarnish. A complete, matched set that's increasingly difficult to find intact. Display it on a bar cart, a sideboard, or a breakfast tray. Or use it. It was built for both.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Silver plate with Bakelite handle and finials \u003cstrong\u003eEra:\u003c\/strong\u003e Mid-20th century \u003cstrong\u003eSet includes:\u003c\/strong\u003e Teapot, lidded sugar bowl, creamer \u003cstrong\u003ePattern:\u003c\/strong\u003e Beehive \/ horizontal ribbed\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Pristine. No dents, plate wear, or tarnish. All lids fit securely. Bakelite handle and finials intact with no chips or cracks.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTeapot height: ~7\" to top of finial\u003c\/p\u003e\n\u003cp\u003eTeapot width: ~6\" spout to handle\u003c\/p\u003e\n\u003cp\u003eSugar height:  ~5\"\u003c\/p\u003e\n\u003cp\u003eCreamer height: est. ~3.5\"\u003c\/p\u003e","brand":"Atlas \u0026 Arden ","offers":[{"title":"Default Title","offer_id":47955563512052,"sku":null,"price":350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/6321\/6372\/files\/atlas-arden-silver-plated-tea-set-ribbed-bakelite_02f7e862-a66d-4692-9884-9cc866623d2f.jpg?v=1777075326"},{"product_id":"bohemian-heavy-cut-amber-glass-vessel","title":"Bohemian Heavy Cut Amber Glass Vessel","description":"\u003cdiv\u003eThick-walled amber glass vessel with paneled sides and a flared, faceted neck. The cuts are crisp and precise, the color is a deep honey amber that glows when light passes through it. Substantial weight in the hand — this is quality glass, not pressed.\u003c\/div\u003e\n\u003cdiv\u003eOpen at the top with no stopper — meant to hold flowers, branches, or simply to stand on its own as an object of light and color.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eSourced in Vienna. Bohemian or Austrian in origin, mid-20th century. Unmarked but consistent in quality and form with the Central European glass tradition that includes Moser, Riedel, and the smaller Vienna workshops.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe kind of object that belongs on a desk with a stack of books, or on a bar cart catching late afternoon light. A vessel for someone who notices these things.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eOrigin: Personally sourced in Vienna. Held in a private collection until now.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eCondition: Excellent vintage condition.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eDimensions:\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eHeight: ~ 8.5 inches \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eDiameter: ~ 4.5 inches \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Atlas \u0026 Arden","offers":[{"title":"Default Title","offer_id":47979621384436,"sku":null,"price":185.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/6321\/6372\/files\/atlas-arden-amber-glass-vase-faceted-neck-a1b2c3d4.jpg?v=1777157877"},{"product_id":"reed-barton-color-glo-enameled-silverplate-dish-model-65","title":"Reed \u0026 Barton \"Color Glo\" Enameled Silverplate Dish, Model 65","description":"\u003cp\u003eBiomorphic leaf-shaped dish in silverplate with deep crimson enamel interior. Designed by Reed \u0026amp; Barton in the late 1950s, model number 65 — a piece of American mid-century modernism from one of the country's oldest silversmiths.\u003c\/p\u003e\n\u003cp\u003eThe shape is what holds you. A flowing organic curve, almost a tongue or a petal, lifted on a small pedestal foot. The red enamel interior catches light like lacquer and reads almost wet against the patinated silver. It's the kind of object that turns a side table into a vignette.\u003c\/p\u003e\n\u003cp\u003eReed \u0026amp; Barton was founded in 1824 and spent over a century making traditional flatware and hollowware before the Color Glo line broke from convention entirely — bold color, sculptural form, and the confidence to make silver feel modern. Pieces from this line now sit in design museums and serious mid-century collections. \u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cem\u003ePart of a small Reed \u0026amp; Barton mid-century group currently in the shop.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrigin:\u003c\/strong\u003e Reed \u0026amp; Barton, Taunton, Massachusetts. Color Glo line, late 1950s–early 1960s. Marked on the underside: Reed \u0026amp; Barton 65.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Good vintage condition. Crimson red enamel interior is clean, vibrant, and free of chips or cracks. Silverplate exterior shows honest patina and plate wear consistent with sixty-plus years of use — an authentic surface that can be polished or left as-is.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeight: ~ 2.5\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLength: ~11.3\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWidth: ~5\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Reed \u0026 Barton","offers":[{"title":"Default Title","offer_id":47985580802292,"sku":null,"price":125.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/6321\/6372\/files\/atlas-arden-silverplate-enameled-dish-crimson-midcentury-a1b2c3d4.jpg?v=1777157721"},{"product_id":"alexandrite-crystal-urn-vase","title":"Alexandrite Crystal Urn Vase","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eHeavy crystal vase in a classical urn form — fluted body flaring at the rim, faceted knop at the waist, stepped hexagonal pedestal foot. The color shifts with the light, lavender in shadow, soft pink in direct sun, lilac at the edges. This is alexandrite crystal, made by adding rare earth elements to the molten glass so the color changes with the angle of view.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eSubstantial weight in the hand. The cutting is precise and the proportions are classical — the kind of object that holds a room without trying.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eA vase for someone who notices what light does to color.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eOrigin: \u003c\/strong\u003ePersonally sourced in Salzburg, Austria. Held in a private collection until now. Alexandrite (neodymium) crystal, mid-20th century, Bohemian or Austrian in origin. Unmarked but consistent in quality and form with the Central European crystal tradition that includes Moser, Ajka, and the smaller workshops of the region.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Excellent vintage condition. \u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eHeight: ~ 8\"\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eDiameter: ~4\"\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e \u003c\/p\u003e","brand":"Amber Vessel → Atlas \u0026 Arden (unmarked)","offers":[{"title":"Default Title","offer_id":47985620943092,"sku":null,"price":285.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/6321\/6372\/files\/atlas-arden-alexandrite-crystal-vase.jpg?v=1775827527"},{"product_id":"reed-barton-enameled-silverplate-footed-bowl-model-143","title":"Reed \u0026 Barton Enameled Silverplate Footed Bowl, Model 143","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eOval silverplate bowl with deep berry-wine enamel interior, raised on three small ball feet. Reed \u0026amp; Barton, model 143 — part of the American silversmith's mid-century enameled line that brought bold color to traditional hollowware.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe shape is quietly classical but the color does the talking. Deep magenta enamel, glossy and unmarked by chips or wear, sitting against the oxidized silverplate exterior like a jewel in a tarnished setting. The three ball feet lift it just enough to give the form some lightness.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eReed \u0026amp; Barton was founded in 1824 in Taunton, Massachusetts, and produced traditional flatware and hollowware for over a century before introducing color enamel work that broke from convention. These pieces now sit in design collections as examples of mid-century American silver finding its modern voice.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePart of a small Reed \u0026amp; Barton mid-century group currently in the shop.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eOrigin:\u003c\/strong\u003e Reed \u0026amp; Barton, Taunton, Massachusetts. Enameled silverplate line, mid-20th century. Model 143, marked on the underside with circled A.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Good vintage condition. Berry enamel interior is clean, vibrant, and free of chips or cracks. Silverplate exterior shows honest patina and plate wear consistent with sixty-plus years of age — an authentic surface that can be polished or left as-is.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eHeight: ~1.5\"\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWidth: ~4\"\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eLength: ~5\"\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e \u003c\/p\u003e","brand":"Reed \u0026 Barton","offers":[{"title":"Default Title","offer_id":47985741005044,"sku":null,"price":115.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/6321\/6372\/files\/atlas-arden-enameled-silverplate-bowl-berry-wine.jpg?v=1775828421"},{"product_id":"reed-barton-fluted-silverplate-bowl-model-1851","title":"Reed \u0026 Barton Fluted Silverplate Bowls, Model 1851 — Matched Pair","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eA matched pair of dramatic silverplate bowls with deep radiating flutes and scalloped petal rims, raised on small pedestal feet. Reed \u0026amp; Barton, model 1851 — sculptural pieces of American silverwork that read more like stylized flowers than serving vessels.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe form does the work. Each flute catches light differently as you move around it, and the scalloped rims turn the bowls into something closer to sculpture than tableware. For lovers of mid-century design, the deep ribbing recalls Sigvard Bernadotte's iconic fluted hollowware for Georg Jensen — the same confidence in form, the same belief that a bowl could be a piece of sculpture.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eSubstantial in scale and presence — the kind of objects that anchor a sideboard, flank a centerpiece, or hold court on a dining table without anything in them. Pairs of mid-century silver bowls in matching form are uncommon, and two of these together carry more weight than either would alone.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eOne of the pair retains its original blue foil Reed \u0026amp; Barton label on the underside, an unusual survival that suggests this piece was lightly used and carefully kept across the decades. The other carries the same impressed maker's mark but has lost its label to time.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eReed \u0026amp; Barton was founded in 1824 in Taunton, Massachusetts, and spent generations refining the kind of hollowware that filled American dining rooms. These bowls are from their mid-20th century production — the period when traditional silver craft met modern sculptural confidence.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cem\u003ePart of a small Reed \u0026amp; Barton mid-century group currently in the shop.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eOrigin:\u003c\/strong\u003e Reed \u0026amp; Barton, Taunton, Massachusetts. Silverplate, mid-20th century. Model 1851, marked on the underside of both bowls. One retains the original blue foil label.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good vintage condition as a matched pair. Both bowls share the same form, scale, and scalloped rim, with no dents or repairs to the fluted bodies. Silverplate surfaces show light age-appropriate spotting and patina, particularly on the interior bases — honest surfaces that can be polished or left as-is. One bowl retains the original blue foil Reed \u0026amp; Barton label on the underside; the other has lost its label to time.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eHeight: ~4\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eDiameter: ~8\"\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Reed \u0026 Barton","offers":[{"title":"Default Title","offer_id":47985868570868,"sku":null,"price":265.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/6321\/6372\/files\/atlas-arden-reed-barton-silverplate-fluted-bowl_3272b665-51c7-4795-b043-7ff2eacfaade.jpg?v=1775829102"},{"product_id":"reed-amp-barton-fluted-silverplate-bowls-model-1850-matched-pair","title":"Reed \u0026 Barton Fluted Silverplate Bowls, Model 1850 — Matched Pair","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eA matched pair of fluted silverplate bowls with deep radiating flutes and scalloped petal rims, raised on small pedestal feet. Reed \u0026amp; Barton, model 1850 — the smaller companion to the maker's model 1851, sharing the same sculptural language at a more intimate scale.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe form does the work. Each flute catches light differently as you move around the bowls, and the scalloped rims turn them into something closer to sculpture than tableware. For lovers of mid-century design, the deep ribbing recalls Sigvard Bernadotte's iconic fluted hollowware for Georg Jensen — the same confidence in form, the same belief that a bowl could be a piece of sculpture.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAt this scale they work as catch-alls, candy dishes, jewelry holders, or small centerpieces. Pairs of mid-century silver bowls in matching form are uncommon, and two of these together carry more presence than either would alone.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eOne of the pair retains its original blue foil Reed \u0026amp; Barton label on the underside, an unusual survival that suggests this piece was lightly used and carefully kept across the decades. The other carries the same impressed maker's mark but has lost its label to time. That same bowl is engraved on the interior base with the date 5-24-81 — a small mark left behind by whoever first received it, almost certainly as a wedding or anniversary gift in the spring of 1981. The kind of trace that gives an object a previous life.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eReed \u0026amp; Barton was founded in 1824 in Taunton, Massachusetts, and spent generations refining the kind of hollowware that filled American dining rooms. These bowls are from their mid-20th century production — the period when traditional silver craft met modern sculptural confidence.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cem\u003ePart of a small Reed \u0026amp; Barton mid-century group currently in the shop.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eOrigin: \u003c\/strong\u003eReed \u0026amp; Barton, Taunton, Massachusetts. Silverplate, mid-20th century. Model 1850, marked on the underside of both bowls. One retains the original blue foil label; the other is engraved with the date 5-24-81 on the interior base.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Excellent vintage condition as a matched pair. Both bowls share the same form, scale, and scalloped rim, with no dents, repairs, or visible wear to the fluted bodies. Silverplate surfaces are bright and clean. One bowl retains the original blue foil Reed \u0026amp; Barton label on the underside. The other is engraved with the date 5-24-81 on the interior base — a small original mark from a previous owner, likely commemorating a wedding or anniversary gift.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eHeight: ~2.5\"\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eDiameter: ~4.5\" \u003c\/p\u003e","brand":"Reed \u0026 Barton","offers":[{"title":"Default Title","offer_id":47986300682484,"sku":null,"price":145.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/6321\/6372\/files\/atlas-arden-silverplate-fluted-bowls_e6576ef4-de8a-4251-b6c7-689a787addd7.jpg?v=1775831720"},{"product_id":"art-deco-cocktail-shaker-stainless-chrome-with-cherry-red-bakelite-handle-1930s","title":"Art Deco Cocktail Shaker — Stainless Chrome with Cherry Red Bakelite Handle, 1930s","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThis is what Prohibition-era hosting looked like when it was done right.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eA tall, tapered Art Deco cocktail shaker in polished chrome with a cherry red Bakelite handle — the kind of object that turned mixing a drink into a small piece of theater. The skyscraper silhouette and stepped pedestal base are pure 1930s American design, when even the most functional barware was built to look like a Manhattan skyline in miniature.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eSourced in New York, this shaker is unmarked but consistent with the better American makers of the era — Manning-Bowman, Chase, Farber Bros. — who built cocktail accessories with the same care given to architecture. The threaded spout cap is intact, the two-part lid seals cleanly, and the Bakelite handle has held its deep cherry color without fading or cracking.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThis is a working shaker, not a display piece — but it earns its place on a bar cart whether you use it or not.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eOrigin:\u003c\/strong\u003e American \u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eEra:\u003c\/strong\u003e 1930s \u003cstrong\u003eMaterial:\u003c\/strong\u003e Chrome-plated steel with cherry red Bakelite handle and brass fittings\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eCondition: Very good vintage condition. Chrome bright with light surface wear consistent with age. Bakelite handle pristine. Threaded spout cap functions. Two-part lid intact and seals properly. \u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHeight: ~12\"\u003c\/p\u003e\n\u003cp\u003eBase diameter: ~3.5\"\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e \u003c\/p\u003e","brand":"Atlas \u0026 Arden","offers":[{"title":"Default Title","offer_id":47992401035508,"sku":null,"price":185.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/6321\/6372\/files\/atlas-arden-art-deco-cocktail-shaker-chrome-bakelite_0d66a4b1-6568-4409-b028-af0e0ba4380b.jpg?v=1775939434"},{"product_id":"art-deco-faceted-cocktail-pitcher-silver-plate-with-hinged-ice-guard-1930s","title":"Art Deco Faceted Cocktail Pitcher — Silver Plate with Hinged Ice Guard, 1930s","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe hinged guard at the spout is the giveaway. This pitcher was built for cocktails — the guard holds the ice back so the drink pours clean.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eA faceted silver-plate pitcher in classic 1930s American Art Deco form, with twelve crisp panels running floor to rim and an angular handle that reads more architecture than tableware. The design is all geometry — no curves, no ornament, just confident mid-century engineering applied to the cocktail hour.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe ice guard still swings cleanly on its hinge. The plate has mellowed evenly with age. Use it for martinis, water at dinner, or as a sculptural object on a bar cart that doesn't need anything more than this.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eOrigin:\u003c\/strong\u003e American \u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eEra:\u003c\/strong\u003e 1930s \u003cstrong\u003eMaterial:\u003c\/strong\u003e Silver plate \u003cstrong\u003eFeature:\u003c\/strong\u003e Hinged ice guard at spout\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good vintage. Plate bright with minor surface wear. Ice guard hinge functions smoothly. No dents.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eHeight: ~8\" tall\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eBase width: ~5\" \u003c\/p\u003e","brand":"Atlas \u0026 Arden","offers":[{"title":"Default Title","offer_id":47992438980852,"sku":null,"price":195.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/6321\/6372\/files\/atlas-arden-art-deco-silver-plate-cocktail-pitcher_ee846b14-b6bb-4153-91f8-2b847799e203.jpg?v=1775940291"},{"product_id":"cased-sterling-silver-tea-set-glasgow","title":"Cased Sterling Silver Tea Set, Glasgow","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eNine pieces of hallmarked British sterling silver — 8 teaspoons and a pierced tea strainer spoon — in their original fitted presentation case. Maker's mark C.J.A., lion passant, and date letter, in a classic Old English pattern that has been set at proper tables for two hundred years.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe case is what elevates this from silverware to a gift. Blue leather exterior, black velvet interior fitted to hold each piece in place, silk-lined lid printed with the retailer's mark: J.R. \u0026amp; W. Laing, Jewelers, 85 St. Vincent Street, Glasgow. A Scottish jeweler established in the 1800s. Someone walked into that shop and chose this set for someone who mattered.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe whole ritual of afternoon tea is in this box — the spoons, the strainer, the precision of a matched set. It's a complete thought, not a collection of parts.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cem\u003ePairs well with our Art Deco beehive tea set, currently in the shop.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe case also includes a stainless steel grapefruit knife marked Sheffield \u003cmeta charset=\"utf-8\"\u003ewith original bone handle intact— a later addition, no doubt, but a charming and somehow appropriate companion that found its way into the box somewhere along the line.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eOrigin\u003c\/strong\u003e British sterling silver, hallmarked. Retailed by J.R. \u0026amp; W. Laing, Jewelers, 85 St. Vincent Street, Glasgow, C.2. Original fitted presentation case. Mid-20th century.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e Excellent vintage condition. All nine pieces present and matching. Sterling surfaces are bright and clean with light use-consistent wear. No monograms or engravings. Original fitted case is intact with minor age-appropriate wear to the exterior; silk lining and velvet interior are clean and undamaged. Clasp functions properly.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e Case: approximately 10\" L × 6\" W × 1.5\" H Teaspoons: approximately 5\" L each\u003c\/p\u003e","brand":"Amber Vessel → Atlas \u0026 Arden (unmarked)","offers":[{"title":"Default Title","offer_id":48008355119348,"sku":null,"price":245.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/6321\/6372\/files\/atlas-arden-sterling-silver-tea-set_0689bd6a-e215-49a8-b3b9-04dbbd62d8da.jpg?v=1776459841"},{"product_id":"signed-studio-stoneware-bottle-vase-by-westerberg","title":"Signed Studio Stoneware Bottle Vase by Westerberg","description":"\u003cp\u003eA faceted stoneware bottle vase with a narrow neck and octagonal body, each face covered in a grid of individually impressed circles. The surface has the quiet rhythm of something counted by hand — row after row of small stamps pressed into wet clay before the kiln changed everything.\u003c\/p\u003e\n\u003cp\u003eThe glaze is a matte ash tone, warm and earthy, with the clay body breaking through at the edges of each facet where the paddle shaped the form. The faceting itself is the mark of a confident potter — a round thrown vessel paddled into an octagonal shape while still soft, a technique rooted in both Japanese and Scandinavian ceramic traditions.\u003c\/p\u003e\n\u003cp\u003eThe name Westerberg is inscribed on the underside in a fluid, practiced script. A potter who signed their work this way expected it to be found again.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrigin\u003c\/strong\u003e Signed studio stoneware by Westerberg. Mid-to-late 20th century. Scandinavian origin. Sourced in New York.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e Excellent vintage condition. One small nick at the rim opening — barely visible but noted for accuracy. No other chips, cracks, or repairs. Glaze is intact with no flaking or discoloration. Signed on the underside.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: ~\u003c\/strong\u003e8\" H ~7\" W across the widest facet \u003cstrong\u003eNeck opening:\u003c\/strong\u003e ~ 1.5\"\u003c\/p\u003e","brand":"Atlas \u0026 Arden","offers":[{"title":"Default Title","offer_id":48045247070452,"sku":null,"price":135.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/6321\/6372\/files\/atlas-arden-signed-westerberg-stoneware-vase-a1b2c3_c1615cff-aa26-4d1d-b2be-7b93c19cc26f.jpg?v=1777074121"},{"product_id":"murano-style-bullicante-glass-sculpture-teal-to-jade","title":"Murano-Style Bullicante Glass Sculpture, Teal to Jade","description":"\u003cp\u003eA solid hand-blown glass form — bulbous top tapering to a pinched waist and flared foot — covered entirely in a raised dot pattern known as bullicante. Heavy in the hand. The kind of weight that tells you something was made with intention.\u003c\/p\u003e\n\u003cp\u003eThe color shifts from deep teal at the crown through sea glass blue at the middle to jade green at the base, a controlled gradient that speaks to the skill of whoever worked this piece at the furnace. Rows of uniform raised bubbles catch light individually, turning the whole form into something between a sea urchin and a seed pod. Organic and architectural at the same time.\u003c\/p\u003e\n\u003cp\u003eThe form, the bullicante technique, and the color palette are consistent with mid-century Murano glasswork from the Venetian island studios. Unmarked, but the quality of the gradient and the precision of the bubble pattern suggest a trained glassblower working in a serious workshop, not a tourist piece.\u003c\/p\u003e\n\u003cp\u003eA desk object, a bookshelf anchor, a paperweight that nobody uses for paper. The kind of thing you pick up, feel the weight, and set back down where the light hits it best.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrigin\u003c\/strong\u003e Murano-style hand-blown solid glass, mid-to-late 20th century. Likely Italian, Venetian origin. Unmarked. Sourced in New York.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e Excellent vintage condition. No chips, cracks, or repairs. Glass is clean and bright with no cloudiness. Bullicante surface is intact throughout.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e ~8\" H × ~4.5\" W at the widest point\u003c\/p\u003e","brand":"Atlas \u0026 Arden","offers":[{"title":"Default Title","offer_id":48045320896756,"sku":null,"price":165.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/6321\/6372\/files\/atlas-arden-murano-glass-sculpture-teal-jade-a1b2c3_0c4e15e1-ccde-4ae5-922b-d64c9ab29155.jpg?v=1777075239"},{"product_id":"augarten-wien-gold-lustre-porcelain-ashtray-hand-painted","title":"Augarten Wien Gold-Lustre Porcelain Ashtray, Hand-Painted","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eA small porcelain ashtray in full gold lustre by Augarten Wien — Vienna's own porcelain manufactory, founded in 1718 and still producing by hand in the same city. Every surface is gilded, inside and out, with the kind of warmth that only real gold on real porcelain achieves.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAugarten is to Vienna what Meissen is to Dresden — the state porcelain house, supplier to the Hofburg, and a name that has been on proper tables for three centuries. Each piece is marked \"Handbemalt\" — hand-painted — because at Augarten, that's the only way it's done.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eNobody really smokes in these anymore, but have it as a chic reminder of a time gone by. They also sit beautifully on nightstands holding rings, on desks holding paperclips, on coffee tables holding nothing at all. A gilded object that earns its place by being exactly what it is.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cem\u003eTwo available. A pair on a tray is hard to argue with.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eOrigin:\u003c\/strong\u003e Augarten Wien, Vienna, Austria. Hand-painted gold lustre porcelain. Model 529\/1, pattern 6970, painter number 226. Marked on the underside with the Augarten shield, \"Handbemalt,\" and production numbers.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Excellent vintage condition. Gold lustre is bright and intact with no wear, rubbing, or loss. No chips, cracks, or repairs. Marks are clear and legible on the underside.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e ~ 3.5\" diameter × 1.5\" H\u003c\/p\u003e","brand":"Augarten","offers":[{"title":"Default Title","offer_id":48071448101108,"sku":null,"price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/6321\/6372\/files\/atlas-arden-gold-lustre-porcelain-ashtray-a1b2c3d4_89c095d1-8dae-4553-8afd-872f96f5a1b2.jpg?v=1777232063"},{"product_id":"english-silverplate-gallery-tray","title":"English Silverplate Gallery Tray","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAn oval silverplate gallery tray with a pierced reticulated rail, scalloped serpentine edge, beaded rim, cut-out handles, and four ball feet. The kind of tray that makes everything on it look like it was placed there on purpose.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe gallery rail is the detail that separates a tray from a surface. The pierced pattern — a row of small arched cutouts running the full circumference — gives the form its architecture, its sense of enclosure without weight. The scalloped edge rises and falls in a gentle serpentine, and the beaded rim finishes it with a line of restraint that holds the whole composition together.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThis is a bar cart tray, a coffee table tray, an ottoman tray. It organizes a collection of bottles, holds a stack of books and a candle, or presents a tea service with the kind of quiet authority that comes from getting the proportions right. The oval is generous enough to be useful and refined enough to disappear into the room when it's not the focus.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eOrigin\u003c\/strong\u003e English silverplate, mid-to-late 20th century. Unmarked. Consistent in form and quality with the Sheffield gallery tray tradition.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e Good vintage condition. Gallery rail and pierced detail are crisp and intact with no bends or repairs. Surface shows honest scratching and light tarnish consistent with decades of use — a lived-in patina that can be polished to a mirror or left as-is. Four ball feet are stable and secure. No plate loss or copper showing through.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e ~ \u003cmeta charset=\"utf-8\"\u003e18\" L × 13\" W × 2\" H (including feet)\u003c\/p\u003e","brand":"Atlas \u0026 Arden","offers":[{"title":"Default Title","offer_id":48071640514804,"sku":null,"price":195.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/6321\/6372\/files\/atlas-arden-silverplate-gallery-tray-a1b2c3d4_53210324-901c-4363-b60e-b9966d757c97.jpg?v=1777305403"},{"product_id":"faceted-crystal-bowl-on-silver-base-italy","title":"Faceted Crystal Bowl on Silver-plate Base, Italy","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eA heavy crystal bowl with wide paneled facets rising from a polished silver base. Twelve sides, each one catching light at a slightly different angle, so the bowl changes as you move around it. Thick-walled, substantial in the hand, and clear enough to see the city through.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe form is classical European — a footed crystal bowl meant for a sideboard, a dining table, or the center of a room where it can do its work quietly. The faceting is precise and confident, the kind of cutting that comes from a tradition rather than a trend. The silver base is restrained, a simple pedestal that lifts the glass just enough to give it presence without competing.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eItalian crystal has a long lineage. From the Murano glasshouses to the workshops of Colle Val d'Elsa in Tuscany, Italy has been shaping glass with this kind of authority for centuries. This bowl sits in that tradition — unmarked but unmistakably made by someone who understood what they were doing.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eA bowl for fruit, for keys, for nothing at all. The kind of object that fills a room by being empty.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eOrigin: \u003c\/strong\u003eItalian crystal on silver-plate base. Mid-to-late 20th century. Marked \"Italy\" on the underside.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Excellent vintage condition. Crystal is clear and bright with no chips, cracks, or cloudiness. Facets are crisp and undamaged. Silver base shows light patina consistent with age — can be polished or left as-is.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eDimensions: ~ 8\" diameter × 5\" H\u003c\/strong\u003e\u003c\/p\u003e","brand":"Atlas \u0026 Arden","offers":[{"title":"Default Title","offer_id":48071909245172,"sku":null,"price":145.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/6321\/6372\/files\/atlas-arden-faceted-crystal-bowl-silver-base-italian-crystal-a1b2c3.png?v=1779565580"},{"product_id":"japanese-bronze-tsuru-kubi-bud-vase-mid-twentieth-century","title":"Japanese Bronze Tsuru-Kubi Bud Vase, Mid-Twentieth Century","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eA crane-neck bud vase, cast in bronze, made for the quiet discipline of ikebana. \u003cem\u003eTsuru-kubi\u003c\/em\u003e — named for the long taper of a crane's neck. The form is centuries old, refined by generations of practitioners who understood that a single stem, well placed, says more than a full arrangement. The proportions here are exact: a slow rise through the throat, a generous teardrop body, a tight foot ring. The opening is one centimeter — wide enough for a branch, narrow enough to insist on restraint. One stem of cherry in spring. One peony in summer. One branch of anything worth looking at.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eOrigin: \u003c\/strong\u003eFound at a flea market in New York. Mid-twentieth century, unsigned — as most Japanese bronze of this era was. The form does the talking.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eOriginal patina intact and undisturbed. Deep brown with reddish undertones, exactly what bronze should look like when it has been left alone. Subtle vertical fluting through the body. \u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eDimensions: ~\u003c\/strong\u003e 9.5\" H, widest point is 3.5\", mouth is .4\" — single stem\u003c\/p\u003e","brand":"Atlas \u0026 Arden","offers":[{"title":"Default Title","offer_id":48117180858612,"sku":null,"price":195.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/6321\/6372\/files\/atlas-arden-japanese-bronze-bud-vase-tsuru-kubi-a1b2c3d4.jpg?v=1777750614"},{"product_id":"silverplate-footed-bowls-with-applied-shell-border-set-of-four-mid-twentieth-century","title":"Silverplate Footed Bowls with Applied Shell Border, Set of Four, Mid-Twentieth Century","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eA set of four silverplate footed bowls, each ringed with a band of applied shells in deep relief — scallops and conch worked into a continuous wreath around the body of every bowl. The kind of object that lived on a sideboard in a Connecticut shingle house, brought out for the first course or the last. The form is a Revere shape, the decoration is mid-century, and the use is open: finger bowls at a long dinner, individual sorbets between courses, nuts and olives at a cocktail hour, berries and cream on a quiet morning.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eSold as a set of four. They belong together.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eOrigin: Sourced at an estate sale in Connecticut. Unmarked, as much mid-century silverplate was — sold through department stores and given as wedding silver, used for decades, then passed on. The shell border is applied work, hand-finished rather than machine-stamped, with the recesses antiqued to give the relief depth.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eExcellent. Silverplate bright and intact across all four. The dark patina set into the recesses behind the shells is original — applied at the time of manufacture, and exactly what should be there. No dents, no repairs. \u003cmeta charset=\"utf-8\"\u003eOne of the four shows very light plate wear to the interior, visible only on close inspection and consistent with use over decades. No dents, no repairs.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eEach bowl is 4.75\" diameter at rim, 2.5\" height.\u003c\/p\u003e","brand":"Atlas \u0026 Arden","offers":[{"title":"Default Title","offer_id":48117956051188,"sku":null,"price":185.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/6321\/6372\/files\/atlas-arden-silverplate-footed-bowls-shell-border-set-of-4-a1b2c3_f828f931-87be-4442-9ccb-1db83925656f.jpg?v=1777766646"},{"product_id":"patinated-bronze-figure-of-a-victorious-athlete-by-robert-bauke-cast-by-gladenbeck-sohn-berlin-c-1900-1920","title":"Patinated Bronze Figure of a Victorious Athlete by Robert Bauke, Cast by Gladenbeck \u0026 Sohn, Berlin, c. 1900–1920","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eStory\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cmeta charset=\"utf-8\"\u003eI saw him on a table at an estate sale and knew I had to have him. The patina, the gesture, the foundry stamp pressed clean into the plinth — every part of him spoke to a serious object, made carefully, kept carefully, waiting to be looked at again.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eA patinated bronze figure of a victorious athlete, raising a laurel branch overhead in the gesture of classical triumph. The figure is nude but for sandals, modeled in the idealized academic style that defined German figural bronze at the turn of the twentieth century — confident anatomy, slightly turned head, weight shifted to the back leg, the front foot lifted as if mid-stride toward the podium.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eSigned \u003cstrong\u003eBauke\u003c\/strong\u003e on the bronze plinth in a confident hand-cut script. Cast by \u003cstrong\u003eAktien-Gesellschaft vormals H. Gladenbeck \u0026amp; Sohn, Berlin\u003c\/strong\u003e — the foundry stamp impressed in a shield-shaped cartouche alongside the signature. Mounted on its original cylindrical green serpentine base.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe subject is the laureate — the figure crowned with victory, the moment after the contest is decided. The vocabulary is Olympic in the older sense: classical antiquity reimagined through the lens of imperial Germany, when athletic sculpture stood for civic virtue and national vigor. It is the kind of object that lived in a German collector's library, or on the desk of a man who valued what it represented — discipline, accomplishment, the body in service of an idea.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe combination of signature, foundry mark, original patina, and original stone base is the complete package for a German bronze of this period — and a rare one to surface outside of European auction houses.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eOn the artist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eRobert Bauke was a German sculptor active in the late nineteenth and early twentieth centuries, working in the academic figural tradition that dominated German decorative sculpture from the 1880s through the 1920s. His work was cast primarily by the major Berlin foundries — Gladenbeck chief among them — and circulated through the German bourgeois market for the home, the club, and the institution. His subjects tended toward allegorical and athletic figures rendered in the prevailing classical idiom of the period.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eOn the foundry\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAktien-Gesellschaft vormals H. Gladenbeck \u0026amp; Sohn — typically signed simply as Gladenbeck \u0026amp; Sohn, Berlin — was one of the most important art bronze foundries of the German Empire. Founded by Hermann Gladenbeck in 1851, the firm grew into a major industrial concern by the 1890s, casting work for nearly every significant German sculptor of the period: Reinhold Begas, Adolf Brütt, Louis Tuaillon, Fritz Schaper, and others. Gladenbeck produced the official Berlin casts for public monuments across the German Empire, including the imperial monuments of Wilhelm I. A Gladenbeck stamp is the German equivalent of a Tiffany hallmark on American silver — a guarantee of period authenticity and foundry-level quality.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eExcellent for an object of this age. The original brown patina is intact, with the characteristic warm undertones of high-quality German bronze of the period. Natural verdigris in the recesses of the base — the green oxidation typical of bronze left to age honestly — is present and undisturbed. The figure is undamaged. Surface detail in the hair, sandals, anatomy, and laurel remains crisp throughout. The green stone base is original to the figure, with the expected light wear of a piece that has been on display for over a century. No repairs, no recasting, no polishing.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eTotal Height: ~16\", of which the granite base is ~4\"\u003c\/strong\u003e\u003c\/p\u003e","brand":"Atlas \u0026 Arden","offers":[{"title":"Default Title","offer_id":48252732276980,"sku":null,"price":1250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/6321\/6372\/files\/atlas-arden-victorious-athlete-bronze-figure-laurel-wreath-a1b2c3d4_ce54431c-1ea9-48ef-b00d-e451a6a9c160.jpg?v=1779823998"},{"product_id":"italian-silverplate-wire-basket-scalloped-petal-form-mid-twentieth-century","title":"Italian Silverplate Wire Basket, Scalloped Petal Form, Mid-Twentieth Century","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eStory\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eA scalloped silverplate wire basket from Italy, built like a flower in bloom — eight petals tracing the rim, radiating wires running down to a solid round base. The form is simple, graphic, and quietly Italian: the kind of object that came out of the Milanese design houses in the postwar decades, when Sambonet, Alessi, and their peers were rewriting what serveware could look like.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eFor bread at dinner. For fruit on a kitchen counter. For lemons by the stove. For nothing in particular on an entry console — the silhouette alone earns the shelf space.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eOrigin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eFound at an estate sale in Manhattan. Marked \"Italy Silverplate\" on the underside of the base — unsigned by maker, as much Italian production of the era was, sold through department stores and trattorias and never carrying a foundry name. The form is what matters, and the form is good.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eExcellent. Silverplate bright and intact across all surfaces. Light scratches on the solid round base (only on the non visible underside) — the patina of an object that has held bread and fruit and lemons for decades, which is exactly what it was made to do. No plate loss, no repairs.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eDiameter at rim: 10\" \u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eBase diameter: 5\"\u003c\/p\u003e","brand":"Atlas \u0026 Arden","offers":[{"title":"Default Title","offer_id":48256226361588,"sku":null,"price":85.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/6321\/6372\/files\/atlas-arden-italian-silverplate-wire-basket-scalloped-petal-form-mid-century-a1b2c3d4.jpg?v=1778960645"},{"product_id":"danish-silverplate-catchall-with-wrapped-handle-mid-twentieth-century","title":"Danish Silverplate Catchall with Wrapped Handle, Mid-Twentieth Century","description":"\u003cp\u003eStory\u003c\/p\u003e\n\u003cp\u003eA small Danish silverplate catchall with a fixed arched handle, wrapped in the contrasting material that defined Scandinavian tabletop design at midcentury — the workshop vocabulary shared by Cohr, Just Andersen, and the Vienna workshops of Carl Auböck, where polished metal met natural fiber and the small object was given the same attention as the large one.\u003c\/p\u003e\n\u003cp\u003eFor the entry console. For the bedside table. For keys and a folded watch at the end of the day. For chocolates on a coffee table. The form is quiet, the proportions are right, and the wrapped handle is the detail that makes it more than a dish.\u003c\/p\u003e\n\u003cp\u003eOrigin \u003c\/p\u003e\n\u003cp\u003eFound at an antique shop on Store Kongensgade in Copenhagen — the street that runs north from Kongens Nytorv through the design quarter, where the vetting has already been done by people who know. Unmarked, as much Danish silverplate of the era was, sold through department stores and small workshops and circulated through Scandinavian homes for decades before reaching this one.\u003c\/p\u003e\n\u003cp\u003eCondition\u003c\/p\u003e\n\u003cp\u003eVery good. Silverplate intact across all surfaces with the soft tarnish of an object that has been used and lived with — easily polished if desired, though the slight patina suits the object’s age. The wrapped handle is intact and tight, with no fraying or loss. \u003c\/p\u003e\n\u003cp\u003eDimensions \u003c\/p\u003e\n\u003cp\u003eDiameter: ~6\"\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Atlas \u0026 Arden","offers":[{"title":"Default Title","offer_id":48319819481332,"sku":null,"price":95.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/6321\/6372\/files\/atlas-arden-danish-silverplate-catchall-wrapped-handle-a1b2c3d4_b78e550c-77cd-4868-b5b6-84eb3755ce72.jpg?v=1779535613"},{"product_id":"simon-gate-for-orrefors-tusen-fonster-cut-crystal-vase-c-1934-swedish","title":"Simon Gate for Orrefors \"Tusen Fönster\" Cut Crystal Vase, Pattern G 0395, Designed 1934","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eStory\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eA cut crystal vase by \u003cstrong\u003eSimon Gate\u003c\/strong\u003e for \u003cstrong\u003eOrrefors\u003c\/strong\u003e in the celebrated \"Tusen Fönster\" pattern — \"Thousand Windows\" — designed in 1934 and one of the defining cuts of Swedish modernism between the wars. The form is a tall flared cup on a stepped circular foot. The cutting is the point: vertical panels run the full height of the body, intersected by horizontal registers of oval lens cuts that catch and refract the light from every angle. Each facet is a window. Stand it in the light and the vase becomes its own small architecture.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eSigned on the underside: \u003cstrong\u003eOrrefors \/ G 0395\/221 ·\u003c\/strong\u003e — confirming Gate as designer and the documented Tusen Fönster pattern number, catalogued under this designation by Bukowskis Auktioner in Stockholm and other Swedish auction houses. The \"G\" prefix designates Simon Gate in the Orrefors signature system; 0395 is the model number; 221 the size variant.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAt 9.25 inches tall, this is one of the larger Tusen Fönster variants — Bukowskis has catalogued the smaller 19.5 cm version (G 0395-211) of this same pattern, and the suffix on this vase (221) corresponds to the taller production size. The weight bears it out: just over five pounds of hand-cut crystal.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eOn Simon Gate and Tusen Fönster\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eSimon Gate (1883–1945) was the artist who, with Edward Hald, transformed Orrefors from a regional glassworks into one of the great names of twentieth-century design. The two were brought in by Orrefors in 1916 and 1917, and their collaboration defined the look of Swedish glass through the 1920s and 1930s — clean, classical, technically demanding work that won international recognition at the 1925 Paris Exposition and the 1930 Stockholm Exhibition.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTusen Fönster sits in the heart of Gate's mature catalog. Designed in 1934, the \"Thousand Windows\" name describes exactly what the cutting does — turns the vessel into a lattice of small light-catching surfaces, each cut precisely by hand. It was a serious technical achievement when it was designed, and it remains one of Gate's most collected patterns.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eOrigin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eFound at a small \"Antik \u0026amp; Design\" farmhouse in the \u003cmeta charset=\"utf-8\"\u003eSkåne region of Sweden. The Orrefors signature is intact, crisp, and properly formatted in the company's standard mid-century cataloguing style. Documented through Bukowskis Auktioner, the Stockholm auction house that has catalogued examples of this exact pattern and signature since at least 2015.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eExterior: pristine. The cut pattern is sharp throughout, no chips at the rim or foot, no losses to the facets, no scratches to the exterior surface. The crystal is bright and the foot sits cleanly.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eOne honest disclosure: the interior of the vase shows residual cloudiness in the lower portion from decades of water sitting in the vessel. We've cleaned the piece carefully, and what remains is mineral etching of the interior surface — common in vintage crystal vases that were used as intended. It is visible when the vase is empty and viewed from above. It is invisible when the vase holds water or flowers. We've priced the piece accordingly. A collector seeking museum-grade optical clarity should know this. A buyer who wants a documented Simon Gate Tusen Fönster vase to live with and use will find this one beautiful.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-pre-wrap leading-[1.7]\"\u003eHeight: 9.25 in (23.5 cm) Diameter at rim: 5 in (12.7 cm) Diameter at foot: 3 in (7.6 cm) Weight: 2,266 g (5 lbs)\u003c\/p\u003e","brand":"Orrefors","offers":[{"title":"Default Title","offer_id":48323981836532,"sku":null,"price":385.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/6321\/6372\/files\/atlas-arden-tusen-fonster-crystal-vase-a1b2c3d4_7cb00053-b891-4e88-ad42-d5eeaf5ac5e4.jpg?v=1779818859"},{"product_id":"ystad-metall-swedish-brass-serving-platter-twisted-rope-rim-mid-twentieth-century","title":"Ystad Metall Swedish Brass Serving Platter, Twisted Rope Rim, Mid-Twentieth Century","description":"\u003cdiv class=\"flex-1 flex flex-col px-4 max-w-3xl mx-auto w-full pt-1\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-test-render-count=\"1\"\u003e\n\u003cdiv class=\"group\"\u003e\n\u003cdiv class=\"contents\"\u003e\n\u003cdiv data-is-streaming=\"false\" class=\"group relative relative pb-3\"\u003e\n\u003cdiv class=\"font-claude-response relative leading-[1.65rem] [\u0026amp;_pre\u0026gt;div]:bg-bg-000\/50 [\u0026amp;_pre\u0026gt;div]:border-0.5 [\u0026amp;_pre\u0026gt;div]:border-border-400 [\u0026amp;_.ignore-pre-bg\u0026gt;div]:bg-transparent [\u0026amp;_.standard-markdown_:is(p,blockquote,h1,h2,h3,h4,h5,h6)]:pl-2 [\u0026amp;_.standard-markdown_:is(p,blockquote,ul,ol,h1,h2,h3,h4,h5,h6)]:pr-8 [\u0026amp;_.progressive-markdown_:is(p,blockquote,h1,h2,h3,h4,h5,h6)]:pl-2 [\u0026amp;_.progressive-markdown_:is(p,blockquote,ul,ol,h1,h2,h3,h4,h5,h6)]:pr-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"standard-markdown grid-cols-1 grid [\u0026amp;_\u0026gt;_*]:min-w-0 gap-3 standard-markdown\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eStory\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eA substantial oval brass serving platter from Ystad Metall, the Swedish workshop founded in 1899 on the southern coast of Skåne. The form is generous and confident: a deep oval, hand-hammered across the surface, finished with a twisted rope rim that runs the full circumference. The patina is original — warm gold with the soft mottling of brass that has been used, set down, picked up, and used again for the better part of a century.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eFor a roast on a holiday table. For a centerpiece of pears and persimmons through autumn. For a stack of folded linen napkins on a sideboard. Or for nothing in particular on a long dining table, where the surface alone carries the room.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eOrigin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eFound at a small antik \u0026amp; design farmhouse in rural Skåne — the southernmost province of Sweden and the region where Ystad Metall was founded and operated. The platter came home roughly an hour from where it was made, after decades in a Swedish household. Marked \u003cstrong\u003eYstad Metall\u003c\/strong\u003e on the underside with the company's circular cartouche.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eOn the maker\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eYstad Metall was one of the most important Scandinavian producers of decorative metalware through the twentieth century. Founded in 1899 in the coastal town of Ystad, the company became known for hand-finished brass and silverplate in clean modernist forms, working with named designers including Gunnar Ander — whose collaborations defined Swedish tabletop design in the postwar decades. Ander's brass candleholders and serving pieces for Ystad are actively collected today. This platter is unsigned by designer, as much of Ystad's broader production was, but the maker's mark and the hand-hammered surface place it in the workshop's quality tier.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eExcellent. The hand-hammered surface is intact across the body, with the soft warm patina of unpolished brass that has aged honestly. The twisted rope rim is undamaged and tight to the body. No dents, no repairs, no aggressive cleaning. We've left the patina as found — polishing would brighten it but would also erase the evidence of its long Swedish life, which is part of what makes it worth keeping.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-pre-wrap leading-[1.7]\"\u003eLength: 24 in, Width: 14.5 in\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Atlas \u0026 Arden","offers":[{"title":"Default Title","offer_id":48348493480180,"sku":null,"price":345.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/6321\/6372\/files\/atlas-arden-ystad-metall-brass-serving-platter-rope-rim-e7f3a1.jpg?v=1779814961"}],"url":"https:\/\/atlasandarden.com\/collections\/objects.oembed?page=3","provider":"Atlas \u0026 Arden","version":"1.0","type":"link"}